Tom Hooper, a household name of contemporary British film for the likes of The Damned United and the mini-series Daniel Deronda, will undoubtedly gain great respect and acclaim for his latest film, The King's Speech.
The film follows the Duke of York (or as he is nicknamed by family, Bertie), as he must face drastic life changes while struggling with his lifelong stammer. Bertie goes from being the King's second, and more pathetic, son to unexpectedly garnering the title of King George the VI of England.
As someone who has never faced problems with speech, it was incredibly interesting to see through the perspective of someone who faces little else. For most people, it seems impossible to imagine what it would be like to not be able to express yourself in the simplest fashion.
Colin Firth does an absolutely fabulous job portraying the main character in this film. His mastery of the natural stammer makes the audience member feel as though they can understand completely how he feels: his frustration, his fear, and even his self-pity. I would not be surprised in the least if Firth won an Academy Award for this achievement.
Geoffrey Rush also lives up to the task of playing the Duke's stern, strict, loyal, and compassionate speech therapist (and dear companion) Lionel Logue. The two actors perform beautifully with each other, pulling and pushing and working off of each other, neither hogging the spotlight. Really, lovely work.
Helena Bonham Carter provides a great comfort on screen as the Duchess of York, the Duke's faithful and encouraging wife. I really loved her presence, as she was such a solid presence in the chaos of King George's life.
I must also comment on the genius of the art direction and cinematography. Normally, period dramas can feel cold and distant. However, the Director of Photography used what might be called a fish eye lens, that gives the an interesting effect to the scene. This technique lends a certain intimacy and familiarity to the characters, but also mimics the tunnel-vision-esque feeling of fear and stage fright that must have been quite habitual for King George.
The color was stunning. The interiors, especially of Logue's office and home, are very striking. There is a simplicity that is very appealing, but this simplicity retains a great richness. With the combination of unexpected angles and fabulous lighting techniques, the film creates its own world.
Bottom line: I think that you can expect to see this film up for many Oscars this year.
Great work Mr. Hooper.
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